Dystopia, trauma and grotesque ballet: the gut-wrenching darkness of modern circus

Three of Brisbane festival’s eight world premieres come from some of Australia’s most exciting companies – and their takes on circus couldn’t be more diverse

It has all the tropes of contemporary dance: taut sprawled bodies; grey nondescript uniforms; a box, in which the cast is claustrophobically trapped inside; electronic music. There is even a running scene – in which the runners get nowhere.

If these devices sound familiar, that’s because they are: it’s been done before, (some might say done to death). Yet Circa’s En Masse, which had its world premiere at Brisbane festival last week, is not dance. It’s circus.

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from The Guardian https://ift.tt/2xEdN6W
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