In her extraordinary graphic memoir Heimat, Krug dissects antisemitism in her own family’s history and Germany’s national guilt over the Holocaust – and the country’s recent far-right backlash
Of the hundreds of documents the German author and illustrator Nora Krug has wrenched from archives and flea markets for her sprawling, multilayered graphic memoir, two of the most emotionally arresting are about fungi.
The first is a page from her uncle Franz-Karl’s sixth-grade school exercise book, which Krug discovered in a musty drawer in her parents’ living room. Each line is filled with meticulously crafted Sütterlin script, a now largely obsolete form of German handwriting. The margins are populated by childish pine trees and toadstools with grinning faces.
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