Published: October 07, 2018
It’s difficult to imagine a state government building the Opera House today – we’re lucky it hasn’t been sold off entirely
Gladys Berejiklian’s intervention forcing the Sydney Opera House to promote horse racing illustrates more than the extraordinary power wielded by shock jocks like Alan Jones. It also exemplifies the degradation of “the public” as a concept in Australian life.
In her initial opposition to Racing NSW’s promotional schemes, the Opera House chief executive, Louise Herron, referred to the site’s world heritage status, a classification explicitly predicated on a humanistic universalism.
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