The Tehran-born Melbourne artist’s confronting photography puts people on the margins in the centre of the frame
At first glance the video looks like a tourism promo. There is lush tropical jungle. Fat, glistening fish. White sands. Azure water. Remain, by Iranian-Australian artist Hoda Afshar, was not filmed in paradise, however, but in a prison: Manus Island.
“I wanted to [move beyond] images of a refugee behind bars,” says Afshar. “I wanted the subject to decide how to share the story: to give them autonomy and agency.”
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