Would a huge archway over George Street be Australia’s ‘most significant artwork’ in decades or a ‘ridiculous vanity project’?
The sun is setting over evening commuters on Broadway in central Sydney. Several businessmen turn off the main thoroughfare and find themselves suddenly taking showers in coloured light. One man is so enamoured that he drops his briefcase and begins stretching, collecting the wild swirl of reds, blues and purples along his arms. It’s like watching an impromptu gym session unfold in the garden of Eden.
“Are they flowers or birds?” the man asks his friend, squinting at the pattern.
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