Published: January 26, 2019
Sydney Opera House
In a production that’s more art installation than traditional opera, the South African artist captures the cruel banality of war
“I suppose I did what all children do: I drew,” the South African artist William Kentridge once said. “All children draw. And I simply forgot to stop.”
That delight – in the power of draughtsmanship, in the sheer energy of putting pen to paper and allowing it to dance – is in full force in Wozzeck, the opera directed by Kentridge which premiered at Salzberg festival last year and is now showing at the Sydney Opera House.
Continue reading...from The Guardian http://bit.ly/2RS1z77
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