Australian director Barrie Kosky does for Mozart what Baz Luhrmann did for Shakespeare
One of the challenges facing opera makers is how to stage a three-hour production and make it relevant and interesting to a generation who have a 10-minute attention span.
But Barrie Kosky has pulled it off. The hottest show at this year’s Perth festival is Mozart’s The Magic Flute, running at two hours and 40 minutes – and with not a single dull scene.
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