The Australian director’s book Unconditional Love stresses a fabulous career is never as important as being a good human
What do a blind photographer and a bad-arse seamstress have in common? They are both unforgettable protagonists of Australian films played by A-list actors – Hugo Weaving in 1991’s Proof and Kate Winslet in 2015’s The Dressmaker respectively – and titanic figures in the oeuvre of the director Jocelyn Moorhouse.
Critics raved about Proof – a beautifully constructed character study with an impressive early supporting performance from Russell Crowe – and audiences lapped up The Dressmaker, turning the director’s madcap adaptation of Rosalie Ham’s novel into the 13th most successful Australian film of all time at the local box office.
Continue reading...from The Guardian http://bit.ly/2GBgtqU
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