A clunky sequel has rare moments of visual splendour but they can’t disguise a laughable script with a ramshackle narrative
If there’s one positive outcome from Godzilla: King of the Monsters, the summer’s first inarguably bad blockbuster, it should be that the marketing team at Warner Bros receives a monstrous raise. On paper, the $200m sequel seemed like an unnecessary addition to 2014’s soulless reboot, a recklessly expensive extension to a franchise-restarter that no one cared for. With production finishing almost two years ago and with two projected release dates scrapped, bad buzz was starting to grow.
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