Millennial angst to facing down the Four Horsemen: what we learned at Sydney writers' festival

George Saunders explained why Twitter is toxic, sound bleed suppressed a session on suppression orders, and audience members nearly came to blows

The talk of the festival was that nobody could hear anything. The main room of Sydney’s Carriageworks – an empty, chic converted warehouse – proved itself a poor place for a panel discussion.

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from The Guardian http://bit.ly/2J7jMsD
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