Stan Grant-penned film about the attacks on the former AFL star is inspiring, if occasionally frustrating
I remember a period in the 1990s when everything from Hollywood seemed to arrive in pairs. The genre of lava-spewing disaster movies was virtually non-existent until 1997, when Dante’s Peak was released, followed quickly by Volcano. A mysterious array of doublets followed, including two Dalai Lama movies (Kundun and Tibet), two animated films about insects (Antz and A Bug’s Life) and a couple of space-journeying end-of-the-world blockbusters (Armageddon and Deep Impact).
It speaks loudly and articulately, dropping the kind of truth bombs that smash your heart to pieces
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