Published: January 08, 2020
Hannah Gadsby’s Nanette pushed her peers to interrogate their approach. ‘As times change, it’s right that comedy can become outdated,’ Anderson says
Wil Anderson and I are sitting outside a South Melbourne café, our ears burning in the sun. We’re here to discuss his mammoth year of multiple tours – but the ears of other comedians might be burning too.
I’ve suggested that Nanette – Hannah Gadsby’s subversive 2017 show, which became a global hit as a Netflix special – has put pressure on comedians to create something profound and altruistic. If not a life changer, then it was at least a game changer.
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