Told in the third person, flipping between the voice of Pung and her father, the memoir offers an unflinching, humorous blueprint for surviving trying times
During the first lockdown, I stopped reading. The act required a receptiveness I felt incapable of giving in those early months. But some time around May, as the coronavirus numbers trended down and my anxiety levels followed suit, I began perusing my bookshelves again.
As I stared at the neat rows of yellowed spines, I found myself wondering which of these stories would be best at shepherding me through such apocalyptic times. On the one hand, I wanted an escape from the nightmare we were all living, but on the other hand, escapism seemed facile – like a Band-Aid on a necrotic wound. What I really needed was a book that could speak to the existential emergency humanity was facing, but also offer a blueprint for how to get through it.
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