This 2011 horror comes with genre tropes galore but the joy lies in its tongue-in-cheek unpredictability
Please don’t think there’s something wrong with me, but the film I find most comfort in is one in which a pain-worshipping zombie cuts off a young woman’s head, picks it up, then throws it into a house filled with her friends.
When The Cabin in the Woods first came out I had just moved to a new state. I had no friends to throw my decapitated head at, and so when my birthday rolled around, instead of watching Game of Thrones in bed, I headed to the cinema where I’d recently been employed and settled in to see a weird, long-delayed horror film I’d heard almost nothing about. By the time it finished its cinema run a few months later, I’d watched it at least eight times.
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