Drama theatre, Sydney Opera House
Director Shaun Rennie lets the characters shine and adds an authenticity that will have you weeping into your mask
Rent, the rock musical respectfully frozen in draft mode since the sudden and shocking death of its creator Jonathan Larson before its final off-Broadway dress rehearsal in 1996, has never really been allowed to grow up.
Its lyrics swing wildly between glorious and half-baked and the book frequently loses its focus. Like Hair and Jesus Christ Superstar before it, however, Rent endures in the grand tradition of rock musicals: its heart is bigger than its problems; its music moves under your skin and moves you.
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