Published: April 14, 2021
Writer Kristen Dunphy and director Jocelyn Moorhouse explain how their unorthodox singing and tap-dancing show about mental illness took flight
Kristen Dunphy was met with blank stares when she first pitched Wakefield. It’s a mystery, but it’s not about a crime. It’s a drama, but it’s full of singing and tap-dancing. It’s an intricate patchwork of stories and looping timelines about trauma and mental illness, and it’s frequently soundtracked by Dexys Midnight Runners’ 80s hit, Come On Eileen.
“It all did look a bit crazy,” the veteran screenwriter says.
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