Published: November 09, 2021
The Melbourne writer has penned a bestseller every year since 2015 – one of which was optioned for TV. She discusses her failures and her craft – and why she shuns the housewife-author stereotype
At 6am on a crisp Melbourne morning in 2019, Australian author Sally Hepworth, still in her pyjamas, sat in her parked car in the garage to take a call from Amy Poehler.
The US comedy powerhouse was interested in optioning Hepworth’s latest New York Times bestseller, The Mother-in-Law – about a matriarch found dead and a family riddled with secrets – for television. It was a once-in-a lifetime opportunity, but Hepworth was plagued by two fears: her children walking in and ruining the moment, or ruining it herself.
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