Donnelly’s knack for finding the universal in the ordinary persists, in a more internal second album that’s awash with vivid imagery
Stella Donnelly approaches difficult topics with grace, compassion and a healthy dose of fury. 2019’s Boys Will Be Boys, the breakthrough track of her excellent debut album Beware of the Dogs, was a crash tackle of rape culture, delivered with such sweet earnest that its kicker – “time to pay the fucking rent” – hit even harder. Burning down the establishment never sounded so calm.
Elsewhere on that record, the Western Australian artist exuded a playful brightness that often belied the serious content of the songs – she excoriated toxic masculinity, power imbalances in relationships and the workplace, and institutional racism, through snippets of personal experience and social observation.
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